Roaring Lion cubs look 'destined for greatness' as Tweenhills' pride takes shape
James Thomas speaks to David Redvers about this year's new arrivals
While much of the world grapples with the uncertainty brought about by the Covid-19 pandemic, hope has continued to spring eternal on studs across the land with the emergence of this year's crop of foals.
Nowhere has this source of optimism been more keenly felt than at Tweenhills in Gloucestershire, where the solitary crop of 'cubs' by Qatar Racing's star-crossed champion Roaring Lion were conceived.
The son of Kitten's Joy, the highest-rated three-year-old in the world in 2018 after victories in the Coral-Eclipse, Juddmonte International, Irish Champion Stakes and Queen Elizabeth II Stakes, covered a glittering book of 133 mares at Tweenhills at a fee of £40,000 last year.
Group/Grade 1 winners such as Bateel, Giofra, Golden Lilac, Lightening Pearl, Molly Malone, Seal Of Approval, Shonan Adela and Simple Verse were on his dance card, as were the dams of celebrities Dolniya, Kitten's Dumplings, Marmelo and Poet's Word.
However, fate took a cruel twist last August when, with the world at his feet, Roaring Lion succumbed to colic shortly after arriving at Cambridge Stud in New Zealand for shuttling duty.
While the tragedy remains raw for those who were closest to the horse, a tonic is being supplied by the arrival of the gallant grey's sons and daughters.
"Between Qatar Racing and Tweenhills' partners we've got around 35 Roaring Lion foals on the farm, and it goes without saying I wish that were 135," says David Redvers, owner of Tweenhills and racing manager to Qatar Racing.
The first thing bloodstock aficionados look for in the foals of a new stallion is a likeness with their sire, and though Redvers concedes not all have been stamped in his image, traces of the attitude and athleticism that helped propel Roaring Lion to those four Group 1 victories are present and correct in his young stock.
"You can't say they're all just like dad but they've got wonderful broad heads and plenty of his attitude, and as a rule they've all got fantastic movement," Redvers says. "Time changes horses as they grow and develop, but there's a few we've got here that I think are destined for greatness based on what we're seeing of them as foals."
He continues: "Roaring Lion was very intelligent, inquisitive and playful, and there's plenty of that in his foals. They come straight up to you in the paddock and want to know what you're about and really encourage you to acknowledge them. Because they're by Roaring Lion we're looking for him in his foals, but it's proving easy to find in so many of them."
The Tweenhills website features a gallery of pictures of the Roaring Lion foals born on the farm, and there is justifiably no shortage of superlatives as Redvers runs through some of the new arrivals listed, including the filly out of two-time Group 1 winner Simple Verse.
He says: "The filly out of Simple Verse is truly outstanding, as are the colts out of Honorina and Assembly - the latter is the best-moving foal on the farm, or probably any farm. The filly out of La Patria looks like a rocket, and the filly out of Common Knowledge looks very, very fast too.
"The fillies out of Let It Be Me, a half-sister to South Seas, Likely and Kiyoshi, who won the Albany for us, are all absolutely to die for. The filly out of Kiyoshi is like a female version of Roaring Lion, she looks very much like he did at the same stage."
Followers of the Twitter account @ThoroughbredTales will also have recently seen Redvers introducing "the King of Tweenhills", an alias of the charismatic colt out of Mountain Bell.
"He's such a ridiculous character, he really is like his father coming back to haunt me!" quips Redvers, before adding: "They're all pretty magic really, they're everything we hoped for.
"Where you have a big middle-distance mare like Simple Verse he's put real strength into those foals, and he also covered some sprinting type mares and he's put a good bit of scope into their foals."
Just how much Roaring Lion meant to Sheikh Fahad was evident as he celebrated enthusiastically alongside the Queen in Ascot's Royal box when the colt won the QEII, but with the Qatar Racing chairman only recently having returned to Britain from California he is yet to lay eyes on his prized new arrivals.
"Sheikh Fahad hasn't been able to see the foals yet but one of the things I'm looking forward to more than anything else is showing him and Melissa [Al Fahad, wife] all of the foals," says Redvers.
"There's so much to look forward to with these foals - and those by the other stallions. We've got some unbelievable Zoustars and some really nice Lightning Spears too. At the moment it's all in front of us.
"The problem with having first-crop sires is that you almost find yourself wishing your life away because it's such an exciting thing having them; but there's definitely some pretty special bits of kit there."
Business as usual
While many industries have had to adjust to working from home - or ceased activity altogether - studs such as Tweenhills have continued to operate almost on a business as usual basis.
"There's been practically zero changes, apart from making sure we're taking health and safety and social distancing very carefully," reports Redvers. "The protocols we've put in place have allowed mares to keep coming and being covered, and on a day-to-day basis stud life doesn't stop for anything; you've got no choice but to carry on."
However, Redvers notes the current economic climate has brought about a small reduction in breeding activity, a situation that has doubtless been compounded by uncertainty over the resumption of racing in Britain and Ireland and a continuing paucity of prize-money.
"I think there's going to be a bit of nervousness about the sales going forward and what effect that will have on nomination fees," he says. "I don't think people have been in any great rush to cover mares that are late that they might've done in the past, because any negative is perceived as being one negative too many in what could be a buyers' market going forward.
"The numbers are definitely down, but only slightly rather than dramatically. If stallions were popular they were likely to have been full long before the pandemic came along, but if you were trying to pick up mares as the season goes along, there hasn't been so much of that going along.
"There's so much at stake when running a business like this and you've got to have your eye on the big picture, which is one of the reasons I've been so vociferous about the resumption of racing. I know full well that without racing, these thoroughbreds are like strawberries; they spoil. That's why we need to get going and give everybody a bit of hope."
Read our Life in Lockdown Q&As with industry figures:
Richard Knight: 'It's been great to see the sales companies work together'
Tony Fry: 'Would I buy a horse over the internet? I must admit I wouldn't'
Ed Harper: 'Our stud secretary says clients have never been so organised'
Adrian O'Brien: 'There are plenty of reasons to maintain a spring in the step'
Billy Jackson Stops: 'The buying bench is going to be heavily depleted'
Alex Elliott: 'Cooking and cycling were two things I never thought I could do'
Joey Cullen: 'Racing has the chance to showcase itself to a captive audience'
Claire Sheppard: 'The TBA had to move quickly to save the covering season'
Tomas Janda: 'Lower prices could encourage new buyers to get involved'
Matt Hall: 'Films are a waste of time – I watch festival replays instead'
Tom Goff: 'I've painted two garden seats. God, I sound so middle-aged!'
Simon Sweeting: 'Rightly or wrongly I'm having all my mares covered'
Richard Kent: 'Stud fees and sales house charges will have to come down'
Philippa Mains: 'The industry is a family and we help each other out'
Claire Goodwillie: 'People have realised if you're not online you're invisible'
Tina Rau: 'I'm enjoying post-dinner quarantinis with friends over video call'
Daniel Creighton: 'The market will recover – the only question is when'
Ed Player: 'We're happy to move with the times and embrace online trading'
Patrick Sells: 'Chasemore Farm is effectively operating in a bubble'
Chad Schumer: 'Racing in the US being cancelled is the biggest frustration'
Tom Blain: 'Trade will be down but all we can do is roll with the punches'
Ted Voute: 'We'll need to strengthen the way we showcase young stock'
Simon Kerins: 'We'll embrace any format that will help get horses sold'
Barry Lynch: 'The industry has often bounced back as quickly as it dipped'
Tim Lane: 'Working with horses does you the world of good in these times'
Jerry Horan: 'My sister butchered my haircut. I think it was payback'
Violet Hesketh and Mimi Wadham: 'Social distancing isn't hard - just lonely!'
Henry Beeby: 'Nick Nugent and I have entered a beard growing competition'
Charles O'Neill: 'ITM will be ready to go when the markets open up again'
Freddy Powell: 'We're improving our online sale platform in case it's needed'
Bumble Mitchell: 'Online sales could be tricky for outlying studs like mine'
David Stack: 'I had to give a garda a lesson about the birds and the bees'
Colm Sharkey: 'I've been torturing myself trying to sort out my golf swing'
Rachael Gowland: 'I didn't realise how much I loved racing until I couldn't go'
Sam Hoskins: 'I've been listening to endless Cold War podcasts on my tractor'
Niamh Spiller: 'Video calls are very important to keep everyone motivated'
Jamie Lloyd: 'Staff have had all their own gear labelled, even wheelbarrows'
Micheál Orlandi: 'The stallions are flying and that gives me great hope'
Richard Venn: 'The French are in a good position to get back racing sooner'
Tim Kent: 'It's difficult to plan when we don't know when racing will resume'
Russell Ferris: 'Weatherbys had contingency plans that we activated at once'
Grant and Tom Pritchard-Gordon: 'Inglis Easter has kept us busy since January'
Peter Hockenhull: 'The social side of meeting and chatting to breeders is gone'
Polly Bonnor: 'We've fulfilled every feed order, including all our exports'
Richard Lancaster: 'We're fortunate that some Shadwell staff live on site'
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